1.) Should newspapers show us violent images from Iraq?
My answer is yes, they should. People of this country deserve to see what is actually happening in war, if that is what they want. I think perhaps the photos should not be published in a news paper, but only online, so that there can be a disclaimer stating that there are graphic images. I think that we are censored to much as a nation. If we want to know the truth, and want to know what is actually going on, we should be allowed to do so. If it is optional for people to look at these images, then those who want to see them, will do so, and vice versa. If the photographer takes images that are graphic, and they end up not wanting anyone to see them, that is one thing. If they feel that it is in the public's best interest, or that they've been scarred by these images, and they don't want anyone to see them, then they should have the right and option to decide whether they want them to be published or not. But if the photographer is alright with using the photos, then I think they should be put out there for people to see.
2.) I think in most cases the photographer and editor should be two different people. As a photographer, I've found that I get attached to my work. I can go shoot 500 images, and come out with 10 that I love. I have a hard time narrowing it down to one or two images. I think that someone who has an objective view on the story, will be best at deciding which photo tells, or fits the story best. I think that the photographer and editor should work together in deciding which photos to use, because the photographer knows the images, and knows the story. They know exactly what they were trying to capture. On the other hand the editor doesn't know the whole story, or what the photographer was trying to capture. So if they collaborate and maybe have the photographer pick our their 5 or 10 best photos, and have the editor select the 2 or 3 they like best of those 10. I think this would be the most efficient method to selecting and editing photos. As far as actual photo editing, There shouldn't be anything done aside from some chroma, sharpness, and contrast editing, if the photo is for a news story, or is being used to portray facts of a story as they were actually told.
3.) We see the world in Color, therefore the news images, and any image that is meant to tell a story exactly as it happened, should be in color.... I think that is the idea behind using color images. However I disagree, I think that black and white photos do add to the contrast of an image a great deal. I also think that black and white photos can have a much more psychological and affective impact on us. I don't think that this means we shouldn't use black and white images. News papers use to be printed in black and white, and all photos use to be taken in black and white. I don't think that black and white photos can distort the story to the effect that it can dramatically effect the way a reader or viewer portray the story. I think for the most part color is a better choice, however I think there are circumstances where black and white images are just as good.
4.)Honesty is just that. As a photojournalist you must be honest in all of your work. You cannot photoshop someone in or out of a photo, or add things to photos to change the story. Even extreme cropping can be dishonest. We crop enough through the lens of our camera, more cropping can lead to higher amounts of dishonesty. You must never alter the story that the images are telling.
Decency: As a photojournalist we must know when to stop. There are times where you might have a breaking story that no one else has, but perhaps that story is going to harm many many more people than it will do good for. You have to be able to realize this and hold off on publishing the images. You must obey the ethics of the media, such as not trespassing or paying sources for information. decency is sort of like the golden rule, you have to treat everyone in ways you would want to be treated. You can not put people in false light or have slander or libel about anyone.
Relevance: You have to know what the story is, and tell that story. You shouldn't go off on tangents that only matter to you and no one else. You cannot spend your time trying to bring someone down just because you have a personal vendetta against them, when they're doing nothing wrong. You must be relevant with you work.
Part 2:
For my picture of the semester, of my own photographs, I've chosen one from the gymnastics photos I shot. I had a hard time selecting one of my own photographs for this. Not because I think I have many good ones and it was hard to choose. Because that is not the case at all, but only because I think that everyone else in our class did such a great job that I would rather choose two of their photos than one of my own. But the image I selected is this one:

I chose this photo because I like the contrast of her legs and hands on the black, background. I think that her precision in this moment is perfect. Her fingers are all straight out, and her toes are pointed. There are some poor figure-ground relationships in the photo. Her black uniform, and the black background run together, which takes away from the image. I just really like how she is placed in front of the black, background, and how below her there is a crowd of on lookers and the bar that she seems to be so easily floating over. Like I said, it's hard for me to pick
any of my work to be nominated, because to me I can pick apart every photo I've ever taken and tell you a dozen things wrong with it, for everyone one thing that is done right. But for the sake of my final grade, I chose the photo.
For the best picture, out of the rest of the class.... WOW talk about a daunting task. There have been so many great photos this semester. Bre did great with the feature on Doug, and the construction work of the new communication building. (not to mention her shoes storyboard, although that was for a different class) Angie was all over the place. She covered the truck roll over and the house fire which were both great! Ronnie had some great wedding photos, and we are all a fan of his umbrella photo. Don told a great story in his feature story. The black and white really added an impact to that photo essay. It was so hard to pick a photo that I liked better than the rest, and in the end I don't know that you can say this photo is better than any others, it just happened to be the one I like today. It is like drawing out of a hat, there were so many great photos from everyone in our class, that it really is, like Eric would say, like shooting fish in a barrel. But here is my favorite... at the moment.
I Think Angie did such a great job with this fire. It was so early in the semester when she covered it, and she was still learning lots of the basics, but I think she did a phenomenal job covering it. The photos from the early morning were all really great, but my favorite came from the followup. I think this photo is very dramatic. First of all the strong vector created by the caution tape leads your eye right to the middle of the picture, from there it follows the rain gutter up to the roof. Once your eye hits the roof, you see the grid like charred frame of what's left of the roof of this house. There is the stack of shelves and other contents that were once in the house, the show you that this was a real fire, this really happened to someone's home and now those people are without a home. Their belongings are waiting outside, one what appears to be an overcast, and gloomy day. Which adds a lot to the story of this photo. I also love that it was winter time when this photo was taken. The fact that there are no leaves on the trees also give it a gloomy feel. The contrast of the roof and the trees on the overcast sky works really well. I think this is just a great photo, and Angie did a great job covering this fire, both while it was happening and also in her follow up!
So to any of those who might read this, great job this semester I had fun. I learned a lot from all of you, and I hope you all continue to shoot photos. Thanks!